Canadians live in igloos

fuckyeahtoronto:

Toronto becomes first city to mandate green roofs
Toronto is the first city in North America with a bylaw that requires roofs to be green. And we’re not talking about paint. A green roof, also known as a living roof, uses various hardy plants to create a barrier between the sun’s rays and the tiles or shingles of the roof. The plants love the sun, and the building (and its inhabitants) enjoy more comfortable indoor temperatures as a result.

Toronto’s new legislation will require all residential, commercial and institutional buildings over 2,000 square meters to have between 20 and 60 percent living roofs. Although it’s been in place since early 2010, the bylaw will apply to new industrial development as of April 30, 2012. While this is the first city-wide mandate involving green roofs, Toronto’s decision follow’s in the footsteps of other cities, like Chicago and New York.

Under the direction of Mayor Richard Daley the city of Chicago put a 38,800 square foot green roof on a 12 story skyscraper in 2000. Twelve years later, that building now saves $5000 annually on utility bills, and Chicago boasts 7 million square feet of green roof space. New York has followed suit, and since planting a green roof on the Con Edison Learning Centre in Queens, the buildings managers have seen a 34 percent reduction of heat loss in winter, and reduced summer heat gain by 84 percent.

But lower utility bills aren’t the only benefit of planting a living roof. In addition to cooling down the city, green roofs create cleaner air, cleaner water, and provide a peaceful oasis for people, birds and insects in an otherwise polluted, concrete and asphalt-covered environment.

Sometimes I like Toronto, this is one of those times

© Shaun Clare

blaaargh:

Casa Loma, built 1911
Toronto, Canada

“Casa Loma (Spanish for Hill House) is a Gothic Revival style house in midtown Toronto, Ontario, Canada, that is now a museum and landmark. It was originally a residence for financier Sir Henry Mill Pellatt. Casa Loma was constructed over a three-year period from 1911-1914. The architect of the mansion was E. J. Lennox, who was responsible for the designs of several other city landmarks.

“In 1903 Sir Henry Pellatt purchased 25 lots from developers Kertland and Rolf. Sir Henry commissioned Canadian architect E.J. Lennox to design Casa Loma with construction beginning in 1911, starting with the massive stables, potting shed and Hunting Lodge (a.k.a. coach-house) a few hundred feet north of the main building. The Hunting Lodge is a two storey 4,380-square-foot (407 m²) house with servant’s quarters. As soon as the stable complex was completed, Sir Henry sold his summer house in Scarborough to his son and moved to the Hunting Lodge. The stables were used as a construction site for the castle (also served as the quarters for the men servants), with some of the machinery still remaining in the rooms under the stables. The house cost approximately $3.5 million and took a team of 300 workers three years to build from start to finish. Unfortunately, due to the start of World War I, construction on the house was halted. At 98 rooms, it was the largest private residence in Canada. Notable amenities included an elevator, an oven large enough to cook an ox, two vertical passages for pipe organs, central vacuum, two secret passages in Sir Henry’s ground-floor office and three bowling alleys (never completed).

“Most of the third floor was left unfinished, and today serves as the Regimental Museum for The Queen’s Own Rifles of Canada. Pellatt joined the Regiment as a Rifleman and rose through the ranks, eventually becoming the Commanding Officer. He was knighted for his dedication to the Regiment. Later, Pellatt served as the Honorary Colonel and was promoted to Major-General upon retirement.

“During the depression that followed World War One, the City of Toronto increased Casa Loma’s annual property taxes from $600 per year to $1,000 a month, and Pellatt, already experiencing financial difficulties, was forced to auction off $1.5 million in art and furnishings for only $250,000. Sir Henry was able to enjoy life in the house for less than ten years, leaving in 1923. It was later operated for a short time as a luxury hotel. During the late 1920s Casa Loma was also a popular nightspot. The Orange Blossoms, later known as Glen Gray and the Casa Loma Orchestra, played there for eight months in 1927–1928. Shortly thereafter, they went on tour of North America and became a major swing era dance band.

“The city seized Casa Loma in 1933 for $27,303 in back taxes.

“The castle was extremely run down and the city was motioning for the castle to be demolished. In 1937, however, it was leased by the Kiwanis Club of Toronto (currently known as the Kiwanis Club of Casa Loma). Today, Casa Loma is undergoing a 15 year exterior restoration.

“During World War II, Casa Loma was used to conceal research on sonar, and for construction of sonar devices (known as ASDIC) for U-boat detection.

“Contrary to popular belief, Casa Loma has never been an official residence of either the city or the Province of Ontario. In 1937 it was opened to the public for the first time as a tourist attraction operated by the Kiwanis Club of Toronto. Coincidentally, this is the same year that Chorley Park, the Government House of Ontario, was closed by the provincial government. The house is still operated by the Kiwanis Club. Today it is one of Toronto’s most popular tourist attractions.”

(Source: blaaargh)

© own

© own

On the way back home from Montréal

Somewhere around Perth, Ontario

© own

© own

fuckyeahtoronto:

The Grand Opera House was an opera house and concert hall located in Toronto, Ontario, Canada.

Opened in 1874 on Adelaide Street West, west of Yonge Street, the Grand Opera House was Toronto’s premier concert hall during the late 19th century.  Designed in the Second Empire style with 1750 seats, the hall was the first in the city to feature gaslights that could all be switched on or off simultaneously with one electric switch. The Grand Opera House’s stage hosted some of the era’s best-known performers, including actors Maurice Barrymore, Sarah Bernhardt and Sir Henry Irving, soprano Emma Albani, as well as Italian baritones Giuseppe Del Puente and Antonio Galassi. Visiting lecturers included Oscar Wilde. During its initial years, the Grand Opera House was managed by Charlotte Morrison, a former actress, and the guiding force at that time behind Toronto’s opera and theatre scenes. Morrison has been described as the “Ed Mirvish of her time”.

The Grand Opera House suffered a number of fires, including a major blaze in 1879 that killed a stage-carpenter, as well as his wife and infant daughter. Although the hall was restored and reopened after each fire, it slowly fell into neglect with the arrival of the vaudeville age in the 1900s, which brought with it newer and more modern vaudeville theatres to Toronto, most notably the Loews and Winter Garden Theatres on Yonge Street.

In 1919, the Grand Opera House became embroiled in an infamous and widely reported criminal investigation. On December 2, the Grand Opera House’s owner at the time, Ambrose Small, deposited a cheque for a million dollars in a nearby bank, and went missing later that day.^[1] Before his disappearance, Small already had a reputation in Victorian Toronto as a gambler, and booked less reputable, more titillating shows to his string of theatres, including the Grand Opera House. The newspapers published every known detail of the police investigation into his disappearance, and soon it was revealed that Small had kept a secret sex room at the Grand Opera House, where he entertained numerous mistresses.^[5][6] The scandal further tarnished the Grand Opera House’s standing in a strait-laced city then known as the Methodist Rome.

The concert hall never recovered from the fires, the neglect and the scandal, and it was unceremoniously demolished in 1927. The site of the former Grand Opera House is now occupied by the 68-storey Scotia Plaza in Toronto’s Financial District.^[2] The sole remaining physical legacy of the concert hall is a small lane running south from Adelaide Street West, named “Grand Opera Lane”.